Something To Think About . . .

THE SITUATION

In Washington, D.C., at a Metro Station, on a cold January morning in 2007, this man with a violin played six Bach pieces for about 45 minutes. During that time, approximately 2,000 people went through the station, most of them on their way to work. After about 3 minutes, a middle-aged man noticed that there was a musician playing. He slowed his pace and stopped for a few seconds, and then he hurried on to meet his schedule.

About 4 minutes later:

The violinist received his first dollar. A woman threw money in the hat and, without stopping, continued to walk.

At 6 minutes:

A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.

At 10 minutes:

A 3-year old boy stopped, but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head the whole time. This action was repeated by several other children, but every parent - without exception - forced their children to move on quickly.

At 45 minutes:

The musician played continuously. Only 6 people stopped and listened for a short while. About 20 gave money but continued to walk at their normal pace. The man collected a total of $32.

After 1 hour:

He finished playing and silence took over. No one noticed and no one applauded. There was no recognition at all.


No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written, with a violin worth $3.5 million dollars. Two days before, Joshua Bell sold-out a theater in Boston where the seats averaged $100 each to sit and listen to him play the same music.

This is a true story. Joshua Bell, playing incognito in the D.C. Metro Station, was organized by the Washington Post as part of a social experiment about perception, taste and people's priorities.

This experiment raised several questions:

• In a common-place environment, at an inappropriate hour, do we perceive beauty?
• If so, do we stop to appreciate it?
• Do we recognize talent in an unexpected context?

One possible conclusion reached from this experiment could be this:


If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made . . .

How many other things are we missing as we rush through life?

Forever Young

An elderly couple walked into the lobby of the Mayo Clinic for check ups and spotted a piano. They have been making music together for 62 years. The man will be 90 this year. Watch and listen to this impromptu performance . . . it's brilliant and made my day.

Enjoying life is most certainly all about attitude.

Rice Paddy Art

Prepare to be amazed and surprised, as I was.

Stunning crop art has sprung up across rice fields in Japan, but this is no alien creation. The designs have been cleverly planted.

In 2005, agreements between landowners allowed the creation of enormous rice paddy art.

A year later, organizers used computers to precisely plot planting of the four differently colored rice varieties that bring the images to life. 

Farmers creating the huge displays use no ink or dye.  Instead, different color rice plants have been precisely and strategically arranged and grown in the paddy fields.

As summer progresses and the plants shoot up, the detailed artwork begins to emerge.

A Sengoku warrior on horseback has been created from hundreds of thousands of rice plants.

Napoleon on horseback can be seen from the skies.

.

The farmers create the murals by planting little purple and yellow-leafed Kodaimai rice along with their local green-leafed Tsugaru, a Roman variety, to create the colored patterns in the time between planting and harvesting in September.

The murals in Inakadate cover 15,000 square meters of paddy fields.

From ground level, the designs are invisible, and viewers have to climb the mock castle tower of the village office to get a glimpse of the work.

Closer to the image, the careful placement of the thousands of rice plants in the paddy fields can be seen.

Rice-paddy art was started there in 1993 as a local revitalization project, an idea that grew from meetings of the village committees. In the first nine years, the village office workers and local farmers grew a simple design of Mount Iwaki every year.

But their ideas grew more complicated and attracted more attention.

Creativity makes WORK joyful!